France in the World

New published translations in this dynamic collaborative project:

This dynamic collection presents a new way of writing national and global histories while developing our understanding of France in the world through short, provocative essays that range from prehistoric frescoes to Coco Chanel to the terrorist attacks of 2015.

Bringing together an impressive group of established and up-and-coming historians, this bestselling history conceives of France not as a fixed, rooted entity, but instead as a place and an idea in flux, moving beyond all borders and frontiers, shaped by exchanges and mixtures. Presented in chronological order from 34,000 BC to 2015, each chapter covers a significant year from its own particular angle–the marriage of a Viking leader to a Carolingian princess proposed by Charles the Fat in 882, the Persian embassy’s reception at the court of Louis XIV in 1715, the Chilean coup d’état against President Salvador Allende in 1973 that mobilized a generation of French left-wing activists.

France in the World combines the intellectual rigor of an academic work with the liveliness and readability of popular history. With a brand-new preface aimed at an international audience, this English-language edition will be an essential resource for Francophiles and scholars alike.

Book translated and adapted from the French:

‘ Ce ne serait pas trop de l’histoire du monde pour expliquer la France ‘

Jules Michelet, Introduction à l’histoire universelle (1831)

Voici une histoire de France, de toute la France, en très longue durée qui mène de la grotte Chauvet aux événements de 2015.

Une histoire qui ne s’embarrasse pas plus de la question des origines que de celle de l’identité, mais prend au large le destin d’un pays qui n’existe pas séparément du monde, même si parfois il prétend l’incarner tout entier. Une histoire qui n’abandonne pas pour autant la chronologie ni le plaisir du récit, puisque c’est par dates qu’elle s’organise et que chaque date est traitée comme une petite intrigue.

Réconciliant démarche critique et narration entraînante, l’ouvrage réunit, sous la direction de Patrick Boucheron, un collectif d’historiennes et d’historiens, tous attachés à rendre accessible un discours engagé et savant. Son enjeu est clair : il s’agit de prendre la mesure d’une histoire mondiale de la France, c’est-à-dire de raconter la même histoire nul contre-récit ici qui revisite tous les lieux de mémoire du récit national, mais pour la déplacer, la dépayser et l’élargir. En un mot : la rendre simplement plus intéressante !

Ce livre est joyeusement polyphonique. Espérons qu’un peu de cette joie saura faire front aux passions tristes du moment.

Directeur d’ouvrage : Patrick Boucheron est professeur au Collège de France.

Coordination : Nicolas Delalande est professeur associé au Centre d’histoire de Sciences Po ; Florian Mazel est professeur à l’université Rennes 2 ; Yann Potin est chargé d’études documentaires aux Archives nationales ; Pierre Singaravélou est professeur à l’université Paris I Panthéon-Sorbonne.

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The Colonial Legacy in France Fracture, Rupture, and Apartheid

Edited by Nicolas Bancel, Pascal Blanchard, and Dominic Thomas
Translated by Alexis Pernsteiner
Distribution: World
Publication date: 5/2/2017
Format: cloth 500 pages
6 x 9
ISBN: 978-0-253-02625-5

Debates about the legacy of colonialism in France are not new, but they have taken on new urgency in the wake of recent terrorist attacks. Responding to acts of religious and racial violence in 2005, 2010, and 2015 and beyond, the essays in this volume pit French ideals against government-sponsored revisionist decrees that have exacerbated tensions, complicated the process of establishing and recording national memory, and triggered divisive debates on what it means to identify as French. As they document the checkered legacy of French colonialism, the contributors raise questions about France and the contemporary role of Islam, the banlieues, immigration, race, history, pedagogy, and the future of the Republic. This innovative volume reconsiders the cultural, economic, political, and social realities facing global French citizens today and includes contributions by Achille Mbembe, Benjamin Stora, Françoise Vergès, Alec Hargreaves, Elsa Dorlin, and Alain Mabanckou, among others.

Deadly Aid, Michel Tarou

Jeanne Lebrec knows that in real life, criminals are rewarded and the virtuous suffer. As a social worker, she has dedicated herself to helping the poor, the desperate, and the down and out, but now it seems like all she sees are deadbeat dads and drug-addicted moms who use people and have no desire to better themselves.

One day, after a particularly heartbreaking case, Jeanne reaches her limit and does something unexpected—with deadly consequences. Before long, she’s secretly practicing her own twisted version of “social services.” In a world where bad guys win and good guys pay, is there a difference between justice and retribution?

Published by AmazonCrossing in July 2015: buy it here.

 

Elle, tome II of the Hotelles series, Emma Mars

Emma Mars delivers the sexy, enticing sequel to her first novel Hotelles and follows the adventures of a young French woman as she continues her carnal education in a mysterious Parisian hotel.

In a hotel room in Paris, a young woman named Elle experiences the most exquisite freedom and sensual pleasure she has ever known, thanks to Louie, the man who has conquered her completely.

So many things in life have changed since they first met. Her engagement to Louie’s deceptive brother, David, has been broken. Her mother has died. Yet Elle is wholly fulfilled with Louie, the master who heightens her senses and unleashes her deep, seductive power.

In the alluring Hôtel des Charmes, Louie takes Elle beyond her wildest fantasies. Exploring the boudoirs devoted to other courtesans—Mademoiselle Josephine, Deschamps, Kitty Fisher, Cora Pearl, and Valtesse de La Bigne—Elle willingly opens herself further. In sublime self-abandonment she discovers absolute ecstasy, absolute sweetness, absolute desire.

Then David unexpectedly returns, stirring up painful memories and threatening their bliss. Elle fears her education may soon be over. . . .

She does not understand that it has only just begun.

Published in April 2015 by Harper Perennial, buy it here.

Bad Conscience, Michel Quint

One morning, a devastating earthquake shakes the residents of Aix-en-Provence out of their beds. When a group of college students decides to take advantage of the ensuing chaos by looting a destroyed jewelry store, they are quickly in over their heads. One by one people around them are dying. Bitter and desperate, survivors are fleeing town in search of a safe haven, complicating the escape path of these unlucky petty thieves.

What started as a get-rich-quick scheme reveals the complex plans of a dangerous criminal mastermind who has evaded capture for years. Professional criminals, amateur thieves, and deranged cops are all racing after jewels. With all their lives in the balance, who will be the last one standing?

Published in April 2015 by AmazonCrossing, buy it here.

Writing Exile

This month’s issue of Words without Borders, a monthly magazine publishing literature from around the world, focuses on the theme of exile.

Living abroad, working and thinking between languages and cultures, I am keenly interested in the ways in which encounters with the foreign shape our identities, transforming us into hybrid beings — caught somewhere between our roots and otherness. This experience, the startling disjunction between self and self-other, is perhaps most radical in cases of exile. Indeed, in the piece I’ve translated for this issue, Chadian author Koulsy Lamko compares exile to a nearly impossible act of grafting:

“Splicing oneself onto a strange root successfully is a miracle. Unless one possesses the properties of mistletoe and can grow on a tree whose roots are not one’s own. Slowly but surely, exile erases us from the memory of our land. And the day we try to go back to our country, to set foot there, by chance, for a sun, a moon, we realize that our land has abandoned us; it has turned its back on us, doesn’t recognize us anymore, has disowned us.”*

Reading the pieces in Writing Exile, I am reminded of a line in Maurice Blanchot asserting that a work worth translating is one that reflects a living language’s otherness with respect to itself (“Traduire”, L’Amitié). Here, it seems that subject and form are well matched, for in a magazine in which translation plays a central role, with writings by Venezuelan, Syrian, Iraqi, Chadian writers in exile, we are given a multiplicity of accounts and voices struggling with the shifting borders between self and other.

Click on the image to access the issue:

logo_wwb

*Citation from a translated excerpt of Les racines du Yucca, a story about an African author with a paper allergy who ends up organizing writing workshops in the Yucatán for exiles and survivors of war.

Guide to Buying Translation

If you’re new to buying translations, the task may seem daunting. How much will it cost? What qualities should you look for in your linguist professional? Can translation software get the job done? The following guide, published by the American Translators Association, provides tips to navigate the process, from determining which parts of your document really need to be translated to communicating effectively with your translator:

getting_it_right

Punctum: Reflections on Photography

The Salzburger Kunstverein is opening an exhibit this July broadly centered around Roland Barthes’s idea of “punctum”, from Camera Lucida: Reflections on Photography, to reflect on the nature of contemporary photography. Curated by Séamus Kealy, “this exhibition takes this concept and term as a starting point for invited participants to select photographs that, for each of them, are emblematic of ‘punctum’, given today’s context for photography and our constant grappling with aesthetics”. I am delighted to have worked with French artist Suzanne Lafont on the English translation of a text accompanying her piece, which features twenty-four portraits of the actors from David Lynch’s iconic television series Twin Peaks. Reflecting on ambiguities between reality and fiction, on transgressions of the threshold that holds them apart, Lafont’s Josie Packard breaks the fourth wall, telling the audience: “The point (punctum) is the moment when the world attaches itself to fiction in order to find its coherence. Call me Joan Chen.”

Featured photograph from exhibit brochure: Spring Hurlbut, Deuil II: James #5, 2008, pigment print , 72.4 x 82.6 cm

July 27 – September 21 : Main Hall / Opening : Friday, July 25 at 8 p.m. / Accompanied by a lecture series

Hotelles

Hotelles, an erotic novel that takes place in the City of Love, came out in early April and is getting great reviews. I loved translating this book: Emma Mars knows how to craft an intriguing plot line; the sex scenes are hot; Paris — its glittering monuments, its cobbled streets, its Haussmannian grandeur — is described in lush detail; and the literary heritage of French Romanticism brings depth to the genre. This book is available in paperback, as an e-book, and in audio format.

Published in April 2014 by Harper Perennial, buy it here.